A complete visual representation of the filmmaking process from beginning to end. And, it retails for less than $200.Įxclusive Bonus: Download your FREE Blueprint: How to make a movie. It will fit under the camera body via the tripod mount, where the controls will be easily accessible. Instead, I strongly recommend the Tascam DR-60D instead. Also, the hot-shoe mount is the weak link and is susceptible to damage over time.Īt this time, I cannot recommend the XLR-K1M for the Sony A7s. It must be connected to the hot-shoe adapter, which makes it difficult to mount the Shogun in the base configuration.The power consumption will be too minor to affect recording times. It also gives you direct control over gain and levels with tactile controls similar to those found on ENG video cameras. The adapter allows you to connect up to two phantom powered XLR microphones with both mic and line level ability. ![]() Sony provides an XLR adapter for the Sony A7s, the XLR-K1M, which retails for $798 (includes the ECM-XM1 shotgun microphone): For higher quality work, I would stay away from the internal audio of the Sony A7s. It can be used for event-based work, as well as ENG, etc. I can only comment on the actual quality after testing it in the field, though at this point I’d say it is on par with standard DSLR audio. You can monitor levels using the back of the LCD. There is always a limiter applied to audio, regardless of the setting of levels. The formats being recorded are (24-bit 48 KHz): ![]() 3.5mm stereo jack for a microphone, mic level.The Sony A7s has a built-in microphone and built-in speakers, both of which I wouldn’t use even for home movies (are you going to subject your loved ones to terrible audio?). In this part we’ll cover audio and power requirements and solutions. In Part Five we looked at the external recording and data wrangling options of the Sony A7s.
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